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THE STORM IS HERE-AMERICA ON THE BRINK

Mogelson, Luke

Εκδότης Quercus , ISBN 9781529418729

The New Yorker's award-winning war correspondent returns to his own country to chronicle a story of mounting civic breakdown and violent disorder, in a vivid eyewitness narrative of revelatory explanatory power.

'This is a searing book, exquisitely reported, lyrically told, and so vivid it will make your heart stop-a dark journey into what ails America' Patrick Radden Keefe

On the morning of January 6, a gallows was erected on the National Mall in Washington, D.C. A little after noon, as thousands of Trump supporters marched past the structure, some paused to climb its wooden steps and take pictures of the US Capitol framed within an oval noose. Up ahead, the dull thud of stun grenades could be heard, accompanied by bright flashes.

Several people carried Confederate flags. Others had Tasers, baseball bats, bear spray, and truncheons. 'They need help!' a man shouted.

'It's us versus the cops!' No one seemed surprised by what was taking place. There was an eerie sense of inexorability, mixed with nervous hesitation. It reminded me of combat: the slightly shocked, almost bashful moment when bravado, fantasy, and training crash against reality.

In early 2020, Luke Mogelson, who had been living in France and covering the Global War on Terrorism, returned home to report on the social discord that the pandemic was bringing to the fore in the US.

Soon, he found himself embedded with militias descending on the Michigan state capitol. From there, the story swept him on to Minneapolis, then to Portland, and ultimately to Washington, D.C. His stories for The New Yorker were hailed as essential first drafts of history.

They were just the tip of the iceberg.

Περίληψη

The New Yorker's award-winning war correspondent returns to his own country to chronicle a story of mounting civic breakdown and violent disorder, in a vivid eyewitness narrative of revelatory explanatory power.

'This is a searing book, exquisitely reported, lyrically told, and so vivid it will make your heart stop-a dark journey into what ails America' Patrick Radden Keefe

On the morning of January 6, a gallows was erected on the National Mall in Washington, D.C. A little after noon, as thousands of Trump supporters marched past the structure, some paused to climb its wooden steps and take pictures of the US Capitol framed within an oval noose. Up ahead, the dull thud of stun grenades could be heard, accompanied by bright flashes.

Several people carried Confederate flags. Others had Tasers, baseball bats, bear spray, and truncheons. 'They need help!' a man shouted.

'It's us versus the cops!' No one seemed surprised by what was taking place. There was an eerie sense of inexorability, mixed with nervous hesitation. It reminded me of combat: the slightly shocked, almost bashful moment when bravado, fantasy, and training crash against reality.

In early 2020, Luke Mogelson, who had been living in France and covering the Global War on Terrorism, returned home to report on the social discord that the pandemic was bringing to the fore in the US.

Soon, he found himself embedded with militias descending on the Michigan state capitol. From there, the story swept him on to Minneapolis, then to Portland, and ultimately to Washington, D.C. His stories for The New Yorker were hailed as essential first drafts of history.

They were just the tip of the iceberg.

Πληροφορίες προϊόντος

  • Συγγραφέας Mogelson, Luke
  • Eκδότης Quercus
  • ISBN 9781529418729
  • Κωδικός Ευριπίδη 040100078230
  • Έτος κυκλοφορίας 2022
  • Σελίδες 400
  • Διαστάσεις
  • Βάρος 350 gr

Mogelson, Luke

Συγγραφέας

Luke Mogelson has written for The New Yorker since 2013, covering the wars in Afghanistan, Syria, and Iraq. During the pandemic, he reported on the social tumult in the U.S., including the uprising in Minneapolis following the murder of George Floyd and the January 6th attack on the C apitol. Previously, Mogelson was a contributing writer for The New York Times Magazine, based in Kabul. He has won the National Magazine Award and the George Polk Award.

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