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THE ARCADES PROJECT

THE ARCADES PROJECT

Benjamin, Walter

Εκδότης Harvard U.P. , ISBN 9780674008021


To great writers, Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labour their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of 13 years - "the theatre," as the author called it, "of all my struggles and all my ideas." Focusing on the arcades of 19th century Paris - glass-roofed rows of shops that were early centres of consumerism - Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as "fashion," "boredom," "dream city," "photography," "catacombs," "advertising," "prostitution," "baudelaire," "theory of progress." His central preoccupation is what he calls the commodification of things -a process in which he locates the decisive shift to the modern age. This book is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.

In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

Περίληψη


To great writers, Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labour their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, "The Arcades Project" (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of 13 years - "the theatre," as the author called it, "of all my struggles and all my ideas." Focusing on the arcades of 19th century Paris - glass-roofed rows of shops that were early centres of consumerism - Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in 36 categories with descriptive rubrics such as "fashion," "boredom," "dream city," "photography," "catacombs," "advertising," "prostitution," "baudelaire," "theory of progress." His central preoccupation is what he calls the commodification of things -a process in which he locates the decisive shift to the modern age. This book is Benjamin's effort to represent and to critique the bourgeois experience of 19th century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask.

In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.

Πληροφορίες προϊόντος

  • Συγγραφέας Benjamin, Walter
  • Eκδότης Harvard U.P.
  • ISBN 9780674008021
  • Κωδικός Ευριπίδη 040100064067
  • Έτος κυκλοφορίας 2002
  • Σελίδες 1088
  • Διαστάσεις
  • Βάρος 500 gr

Benjamin, Walter

Συγγραφέας

Ο Βάλτερ Μπένγιαμιν γεννήθηκε στις 15 Ιουλίου 1892 στο Βερολίνο και αυτοκτόνησε στις 26 Σεπτεμβρίου 1940 στα ισπανικά σύνορα, για να μην πέσει στα χέρια της Γκεστάπο. Τα κυριότερα δοκίμιά του, δημοσιευμένα συνήθως ως άρθρα σε περιοδικά και επιθεωρήσεις, είναι: - "Zur Kritik der Gewalt" ("Για την κριτική της βίας", Archiv fur Sozialwissenschaften und Sozialpolitik, 1921) - "Goethes wahlverwandtschaften" ("Οι εκλεκτικές συγγένειες του Γκαίτε", Neue Deutsche Beitrage, 1924/25) - "Einbahnstrasse" ("Μονόδρομος", εκδ. Rowohlt, Berlin, 1928) - "Ursprung des deutschen trauerspiels" ("Προέλευση της γερμανικής τραγωδίας", 1928) - "Der Surrealismus" ("O σουρεαλισμός", Die literarische Welt, 1929) - "Karl Kraus" (Frankfurter Zeitung, 1931) - "Franz Kafka. Zur zehnten Wiederkehr seines Todestages" ("Φραντς Κάφκα: Για τη δέκατη επέτειο από την ημερομηνία του θανάτου του", Judische Rundschau, 1934) - "Das kunstwerk im zeitalter seiner technischen reproduzierbarkeit" ("Το έργο τέχνης στην εποχή της τεχνικής αναπαραγωγιμότητάς του", Zeitschrift fur Sozialforschung, 1936) - "Eduard Fuchs, der Sammler und der Historiker" ("Έντουαρντ Φουξ, συλλέκτης και ιστορικός", Zeitschrift fur Sozialforschung, 1937) - "Berliner kindheit um neunzehnhundert" ("Η παιδική ηλικία του Βερολίνου γύρω στα 1900", 1932-1934, 1938) - "Uber einige Motive bei Baudelaire" ("Σχετικά με ορισμένα μοτίβα του Μπωντλαίρ", Zeitschrift fur Sozialforschung, 1939) - "Uber den Begriff der Geschichte" ("Για την έννοια της ιστορίας", 1940), και διάφορα δοκίμια, που ανήκουν στην ημιτελή και αποσπασματική εργασία του "Paris, die haupstadt des 19. Jahr hunderts" ("Παρίσι, η πρωτεύουσα του 19ου αιώνα")

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